It Is Time To Bring The Abraham Accords To Hebron

Abraham had two sons. That is not only history; it is the underlying structure of the Middle East.

From Isaac came Jacob (Israel) and the Jews. From Ishmael came peoples that would become much of the Arab world. One father. Two lines. A separation that began in a household and expanded into history.

“And the thing was very grievous in Abraham’s sight… and he sent her [Hagar and Ishamael] away” (Genesis 21:11–14)

A rupture in youth. Ishmael into the wilderness. Isaac remaining with the covenant, inheritance, and land. Two trajectories set before either became a nation.

They meet again only once.

“And his sons Isaac and Ishmael buried him in the cave of Machpelah” (Genesis 25:9)

The text records a moment that refuses to disappear: the separated sons standing together over their father.

History widened the gap.

The descendants of Ishmael became many: spread across vast geographies, largely Muslim, with enduring Christian communities. The region became overwhelmingly Arab.

The descendants of Isaac became few. Driven out, dispersed, conquered repeatedly, yet carrying something that would not yield: memory, covenant, and a fixed orientation toward their promised land.

Eventually, they returned. A small people, back in a narrow strip of that land, surrounded by a region that traced itself, at least in part, to the other son.

That imbalance defines the present.

Then something shifted.

The Abraham Accords – named for their common forefather – introduced a different possibility. Arab states choosing open relationship with Israel, shaped by economics, technology, security, and a recognition that the region was already changing beneath older narratives.

A shared pressure point sharpened that shift: Iran.

A Muslim non-Arab power, Persian in identity and imperial in ambition, projecting influence across Arab capitals and against Israel alike, forcing alignments that would have seemed implausible only years ago.

The Accords opened a door for a new future. Now widen it.

Bring the Abraham Accords to Hebron.

Bring them to the Cave of Machpelah, the burial place of Abraham, Isaac, and Jacob, and the Jewish matriarchs as well. The place where the text records Isaac and Ishmael standing together.

Let the leaders of Israel and the Arab world stand there.

Let it be an invitation – especially to Saudi Arabia – to step fully into this framework, not only as a strategic actor but as a central inheritor of the Abrahamic story.

Let it also be a reminder closer to the ground.

To Jews and Arabs living in the disputed lands east of the 1949 armistice lines (E49AL) that includes Hebron, that their conflict sits inside a much older relationship. They are not strangers placed side by side by accident. They are descendants of a shared origin, living out a divergence that began long before modernity created borders.

Ishmael did not return to neutral ground. He came back to the land understood to be Isaac’s inheritance. He stood with his brother there and buried their father.

That moment carries a clarity that history has often obscured: the land of Israel is the Jewish home.

The Arab world does not disappear in recognizing that. It becomes something stronger—anchored in reality, aligned with its own long-term interests, and reconnected to a shared origin that was never erased.

The Abraham Accords can move from alignment to acceptance.

Hebron is where that truth can be stated without abstraction.

The region has spent centuries replaying the separation.

Saudi Arabia and the Gulf States can choose, now, during their common battle against Iran, to stand again at the place where Isaac and Ishmael met thousands of years ago, and acknowledge what each brought with them when they arrived: a common bond and their own roots in the region.

Savannah Guthrie Times 250

Savannah Guthrie tried to describe the indescribable.

Her 84 year old mother was taken from her home, with signs of violence left behind, a masked man on camera. And then nothing. A void where a mother used to be. She spoke about sleepless nights, about imagining fear she cannot reach, about a word she kept returning to: unbearable.

That word should end the conversation. It should strip away everything else.

Because everyone understands what it means when someone you love is taken.


Now Multiply That by 250

What Guthrie is living through is devastating.

In Israel, it happened at scale.

Over 250 people were abducted violently—children, parents, grandparents—dragged from homes, shoved into vehicles, disappeared into tunnels by jihadi terrorists. The same questions Guthrie now asks became a national condition: Are they alive? Are they suffering? What are they thinking?

The same agony. Multiplied. Multiplied. Multiplied.


Where the World Breaks

Here is the dividing line.

When Guthrie speaks, there is no debate. No one justifies it. No one says her mother deserved it. No one rallies in defense of the abductor.

The reaction is immediate and human: bring her home.

But when Israeli families faced the same horror, the reaction in too many places—especially on college campuses—was not sympathy.

It was celebration.

Not confusion. Not distance. Celebration of the very act Guthrie calls unbearable.


The Only Question That Matters

Her interview removes every excuse. No politics, no slogans—just a daughter describing what it feels like to have a mother taken.

If you can feel that—and then justify or cheer when it happens to someone else—you are not misinformed. You are choosing evil.

And that is the part that is unbearable to civilized people.

The New Ground Zeros

We tend to think of “ground zero” as a place, a site of destruction. Where you can point to and say: it happened here.

The new ground zeros are not simply where attacks occur. They are where the vulgar idea stops sounding outrageous.

They form in environments where the rules quietly change, where violence against Jews is never explicitly endorsed, but is no longer cleanly condemned. It is where it is explained. Contextualized. Where the language shifts just enough that the victim is converted into the villain.

You can see it in parts of political culture that elect figures like Rashida Tlaib and Zohran Mamdani without seriously confronting the ideological space around them.

Rep. Rashida Tlaib called Jews conspirators who operate “behind the curtain” to “make money off of racism” at the Democratic Socialist of America convention

Ayman Mohamad Ghazali, the man who came to murder hundreds of children at a Jewish day school in Michigan, lived in Rashida Tlaib’s Michigan district, home to thousand of people who believe Tlaib’s rhetoric, who support – or least excuse – her vile antisemitism.

The same motion can be seen in New York City where Emir Balat, 18, and Ibrahim Kayumi, 19, pledged allegiance to the Islamic State and came to the city that elected a jihadist mayor to rain violence on perceived enemies.

Emir Balat, 18, and Ibrahim Kayumi, 19, readying a bomb to throw at police and civilians in New York City

Ideas shape environments. And environments shape what becomes possible.

It happens quickly: it took barely a decade for NYC to go from a capitalist moderate Jewish mayor in Michael Bloomberg, to an anti-capitalist jihadist in Zohran Mamdani.

When enough people participate in erasing the moral line, the boundary that once made violence unthinkable begins to weaken. And when that boundary weakens, the outliers don’t need instructions.

They need atmosphere.

The new ground zero is not the place where it happens. It is where it no longer feels impossible.

The Fight Against Antisemitism Is Being Filled With Harmful Catchphrases

The fighters of antisemitism are rushing to the front with silly catchphrases. Perhaps even toxic.

Take the line: “What starts with the Jews doesn’t end with the Jews.”

It is meant to elevate the issue. To make antisemitism feel urgent to those who might otherwise ignore it. But it carries an uncomfortable implication: that what happens to Jews matters most because it might eventually happen to someone else.

Why?

Why is the attack on Jews not sufficient on its own? Why must Jewish suffering be reframed as a warning signal for others before it earns attention?

It is already evil when Jews are targeted and that should be enough. Jews are not canaries in a coal mine for the protection of others. They are millions of innocent people living with threats, violence, and fear. That reality does not need to be universalized to be taken seriously.

Then there is the fallback line: “I condemn antisemitism, but…”

The sentence always breaks in the same place. Everything before the “but” is obligation. Everything after it is the real message.

No one says, “I condemn racism, but…” without immediately undermining themselves. Only with antisemitism does the moral clarity feel negotiable, conditional, open to context. The phrase signals that antisemitism is wrong in theory, but explainable – even understandable.

Or consider the most common defense of Israel: “Israel has a right to exist.”

It sounds firm, but it collapses under even a moment’s scrutiny.

No country has a “right to exist.” Not Singapore. Not Spain. Not South Sudan. Countries exist because history, peoplehood, and political will bring them into being and sustain them.

The real point is that the phrase is uttered because people want to destroy it. Not Montenegro or Guyana. The sole Jewish State.

This isn’t a hundred year old debate about political Zionism and the reestablishment of a Jewish state in their ancestral homeland but a discussion about the genocide of millions of Jews. Why is such phrase ever used? The defenders of Israel should condemn the premise that forced the urge to utter the words.

The more careful phrase “Criticism of Israel is not antisemitism” often lands the same way.

It is true, of course. But it is almost always deployed at the exact moment when the line is being approached, if not crossed. It functions less as clarification and more as insulation, a way to reassure the speaker that whatever comes next cannot be antisemitic, because it has already been declared not to be.

It pre-clears the argument.

All of these phrases share something in common. They take a situation that demands moral clarity and replace it with moral positioning. They allow people to sound serious and defensive while adopting the framework of the accuser.

Attacking Jews is evil. Threatening Jews is evil. Justifying targeted harm against Jews—whether through politics, ideology, or euphemism—is evil.

It is time for anti-antisemites to stop using catchphrases that feel emotionally empowering but are soaked in the lexicon of antisemitism.

Whitewashing Antisemitism at the NY Times: Cornell University

What happened at Cornell University is not complicated.

A student threatened to bomb, stab and rape Jews and was eventually convicted. A professor described the mass slaughter of Jews and the burning of families as “exhilarating.” Jewish students faced open hostility in spaces that were supposed to protect them.

That is the story.

But you would not know any of it from reading The New York Times.

There, the story is something else entirely.

It is about leverage and negotiations. About a university navigating pressure from Washington, in which “[t]he principal incentive for Cornell to settle was to restore hundreds of millions of dollars in research money.”

Antisemitism is not the subject. It is merely the backdrop.

Once Jew-hatred is relegated to the background, everything else falls neatly into place. Cornell is no longer responding to hatred; it is managing a dispute. The federal government is no longer addressing civil rights concerns; it is applying political pressure. The moral stakes dissolve into process and incentives.

This is not omission by accident. It is construction by design.

Because centering what actually happened – explicit threats against Jews, open celebration of their murder – would force a conclusion that cannot be comfortably absorbed into the paper’s worldview: that serious, virulent antisemitism has taken root inside institutions it instinctively protects.

So the frame shifts.

Facts that clarify are excluded, while context that softens is elevated, and the reader is guided, carefully, away from the obvious.

It is a familiar pattern.

When antisemitism comes from ideological adversaries – white supremacists, Christian nationalists, “your father’s antisemitism” – mainstream media names it plainly and condemns without hesitation. It is the headline, the thesis, the moral center.

But when it emerges from favored spaces – elite campuses, activist movements, intellectual circles – the noxious hatred disappears. It is reframed as protest, as speech, as tension, as politics. Anything but what it is.

Because if every instance of antisemitism were treated with the same clarity, the same urgency, the same willingness to name what is happening, then the victims of preference would face unwanted scrutiny.

So it is managed instead.

Turn a story about Jews being threatened into a story about money. The antisemitic horde combines the two naturally anyway.

The New York Times is no longer just erasing antisemitic actions by majority-minorities and woke institutions, it is participating in the targeting of Jews for future attacks.

All Muslims Are Not Jihadists

There is a temptation in moments of fear and anger to reach for the bluntest possible instrument: collective blame.

We are seeing it again now, in calls from some politicians and commentators to treat Muslim Americans not as individuals, but “as a class.” It is offensive. It is wrong. And it is profoundly un-American.

We have been here before.

American history offers a warning that should never be forgotten: General Ulysses S. Grant’s order expelling Jews “as a class” from parts of the South during the Civil War. It was born of frustration, prejudice, and expedience. It is remembered today as a stain.

That is what collective guilt produces. Not security. Not clarity. Just injustice.

And it obscures the truth.

Because the truth is more important: not all Muslims are jihadists. The overwhelming majority are not. But there exists, within every society, a subset animated by radical, supremacist ideology. In this case, that subset is jihadists and they are a very real problem.

We have seen synagogues attacked, Jewish schools targeted, and civilians murdered around the world – from New York to Paris, from Sydney to Jerusalem. These acts are not isolated. They are the violent edge of a broader ideological ecosystem that glorifies terror, sanctifies hatred, and seeks legitimacy in the West.

That ecosystem is not confined to foreign battlefields. It has nodes here.

Organizations like Students for Justice in Palestine (SJP) and Within Our Lifetime do not operate as neutral advocacy groups. Their rhetoric, tactics, and alliances echo the narratives of jihadist movements – erasing terrorism, justifying atrocities, and turning mass violence against Jews into something to be rationalized and celebrated.

This is where scrutiny belongs.

Not on millions of Muslim Americans living ordinary lives who are part of the American fabric. But on the networks, organizations, and ideologies that radicalize, that excuse violence, and that deliberately blur the moral line between protest and terror.

Failing to make that distinction is not only unjust but dangerous.

When everything is labeled the problem, nothing is. When all Muslims are treated as suspects, actual jihadists disappear into the noise. They benefit from that confusion. They rely on it.

And worse, it hands them a propaganda victory: proof, in their telling, that the West is inherently hostile, that coexistence is impossible, that radicalism is justified.

That is why calls to expel Muslims from the United States are not just racist; they are strategically self-defeating. They punish the innocent, betray American principles, and distract from the real threat.

A serious society does not fight ideologies with hysteria. It fights them with precision.

It identifies the threat clearly: jihadist ideology, its enablers, and the institutions that normalize or legitimize it. It protects the innocent. And it refuses, no matter how charged the moment, to abandon the principles that distinguish a free society from the movements that seek to destroy it.

Portable Colonialism: the anti-White Movement

Spain now admits “abuse” in Latin America over hundreds of years, while the United Nations praises France for its legacy, as it elevates 2 billion Muslims dominating dozens of countries.

Same actions. Different judgment.

What disappears in all three cases is the simplest word: invasion.

We prefer a softer story that cultures blended, languages spread, religions were adopted. But that story falls apart on contact with reality. Spain did not grow into the Americas. France did not organically merge with Africa. Arab armies did not quietly diffuse ideas across continents. They came from the outside, took control by force, and reshaped the societies they conquered—imposing language, religion, and identity.

That is not exchange. It is replacement.

Over time, something happens to memory. The longer the outcome lasts, the more natural it feels. A forced language becomes simply the language. An imposed religion becomes tradition. Conquest becomes history and eventually, heritage.

But modern outrage does not follow history evenly. It clusters around the United States as if European expansion began and ended there. The rest of the Americas, reshaped just as profoundly – perhaps more – by Spanish and Portuguese conquest, rarely draw the same sustained scrutiny.

Part of this is power. The United States is the dominant global actor today, and criticism follows visibility. Part of it is recency. But another part—rarely stated outright—lies in how colonialism is now framed.

In today’s discourse, colonialism is implicitly coded as a “white” phenomenon. The category is no longer just historical but visual.

Where power is perceived as Western and white, the language of colonialism sharpens. Where societies are seen as non-Western or part of the Global South, even when shaped by earlier conquests, the language softens into history or identity. Entire regions transformed by Spanish and Portuguese expansion or Islamic invasions are broadly framed as “indigenous,” while the United States becomes the central exhibit.

That same lens is applied even more aggressively to Israel.

Israel is often cast as a project of Western, even “white,” power. But that framing collapses under even modest scrutiny. The largest share of Israel’s population descends from Jewish communities across the Middle East and North Africa, whose skin is as dark as their neighbors.

More fundamentally, the Jewish return to the land of Israel is a decolonization movement. It is not an external power projecting control into a foreign land. It is dispersed communities reconnecting to a shared origin and reviving their language and restoring their cultural framework in the place it began.

And yet it is falsely framed as colonial.

While the clearer cases fade into history, the exception is forced to fit the rule.

That contrast reveals something deeper. Colonialism is no longer a historical description. It has become a moral label which is applied unevenly, shaped by contemporary perceptions of identity, power, and alignment.

Histories that fit a “white West imposing on others” framework are foregrounded and moralized. Histories that do not fit as neatly are softened, reframed, or absorbed into the past.

European and Islamic invasions took over the Americas and Africa, but universities and progressive media only showcase the interlopers with whiter skin. The blind rage infects reason to such a degree, that even anti-colonial movements such as the Jewish State, cannot be addressed by fact and reason.

The colonial-imperial lens at work today is shaped by an anti-White racist Global South. Its mission is portable colonialism – to extract wealth and power from White societies and redistribute them to non-White communities.

From Fiddler to Fear: Broadway’s New Jewish Story

Broadway has always returned, in one form or another, to Jewish life. For decades, those stories were carried by memory, infused with struggle, displacement, and loss, yet grounded in continuity, humor, and the stubborn persistence of a people that refused to disappear. What has changed is not the subject matter, but the center of gravity. The stage has shifted from portraying how Jews lived to confronting how Jews are targeted.


The Past: Life in the Foreground

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Fiddler on the Roof (2018 in Yiddish) remains the defining example of how Jewish life was once presented. The audience is drawn into a village that feels intimate and alive, filled with arguments between generations, negotiations between tradition and change, and the quiet dignity of ordinary people trying to hold their world together as it begins to shift beneath them.

The violence arrives but it does not dominate the story. It lingers at the edges, a reminder of fragility rather than the force that defines the narrative. What stays with the audience is the humanity that precedes it: the sense that Jewish life contains richness and meaning even as it is repeatedly uprooted, and that something essential survives the disruption.


The Present: History Without Distance

Vienna, and the Illusion of Safety

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Leopoldstadt (2022-3) opens in a world that feels secure, even enviable in contrast to the humbler scenes from the Pale of Settlement in Fiddler – assimilated Jews in Vienna who have embraced culture, intellect, and national identity with the confidence of people who believe they belong. The early scenes are filled with warmth and the easy assumptions of permanence.

As the story unfolds, those assumptions dissolve with unsettling speed. Families thin, names disappear, and what began as a portrait of belonging becomes a study in erasure. The audience is left confronting how completely a thriving world can vanish and how little warning the people inside it seemed to have.


America’s Own Reflection

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Parade (2022-3) brings that realization into the American setting through the story of Leo Frank. His life in early twentieth-century Atlanta ends in a spectacle shaped by rumor, media amplification, and a public willing to accept accusation as truth.

The discomfort of the story lies in its familiarity. The mechanisms feel recognizable, the escalation disturbingly plausible. The setting removes any remaining sense that antisemitism belongs elsewhere or to another time, placing it squarely within the American experience.


A Present That Refuses to Stay Quiet

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Prayer for the French Republic (2024) unfolds in unmistakably contemporary terms, following a French Jewish family as they debate whether their future still lies in the country they call home. The conversation revolves around schools, neighborhoods, and the quiet calculations that shape daily life.

What emerges is not a single defining incident, but an accumulation, a steady normalization of hostility that makes departure feel less like a rupture and more like an eventual step. The question is no longer abstract. It is logistical, immediate, and deeply personal.


Hatred with a Familiar Face

Giant (2026) centered on Roald Dahl, shifts the focus from overt violence to something quieter and, in many ways, more unsettling. Here, antisemitism resides within a figure celebrated for imagination and storytelling, revealing how prejudice can coexist with cultural admiration.

The discomfort lies in how easily such views can be absorbed into environments that otherwise pride themselves on sophistication. Hatred does not require a uniform or a slogan when it is permitted to live comfortably within admired voices. It persists not despite acceptance, but often because of it.


A Pattern Taking Shape

Seen together, these productions trace a continuum across time and place – Vienna, Atlanta, Paris, and the cultural circles of modern Britain – linked by a recurring dynamic. Each begins with a sense of stability, moves through unease, and arrives at rupture. The details differ, but the trajectory remains strikingly consistent.

This repetition carries its own message. It suggests that the issue is not confined to a specific moment or geography, but reflects a pattern capable of reappearing in new forms, shaped by local conditions yet driven by familiar forces.


The Audience and the Mirror

The audiences filling these theaters are often educated, affluent, and deeply engaged with cultural life. They watch these stories unfold, absorb their lessons, and respond with admiration for the craft and the performances.

Yet there is a tension that lingers beyond the applause. The same cultural spaces that elevate these narratives often struggle to confront their contemporary parallels with equal clarity. The distance between stage and reality narrows, but the response to each is not always aligned.

The result is a kind of dissonance: an ability to recognize antisemitism when framed as art, while hesitating to address it with the same urgency when it appears in present-day discourse.


Why This Moment Feels Different

This shift on Broadway reflects a broader change in perception. The conditions once associated with distant history no longer feel entirely removed. The sense of safety that allowed earlier generations to treat persecution as context has given way to a more immediate awareness, one that resists easy separation between past and present.

Recent events have reinforced that awareness. The resurgence of openly hostile rhetoric, the normalization of extreme positions in public discourse, and the willingness in some circles to rationalize or reframe acts of violence have all contributed to a climate in which these stories resonate with a new intensity.

Art does not create that reality, but it reveals how widely it is being felt.

The contrast with earlier eras becomes difficult to ignore. Where once the stage offered a portrait of Jewish life shaped by external pressures, it now presents environments in which those pressures define the experience itself. The richness of daily life is increasingly overshadowed by a sense of vulnerability that cannot be pushed to the margins.

This evolution reads less like a natural progression and more like a recalibration, one that places the question of security at the center. The stories no longer unfold at a comfortable distance. They press closer, asking the audience to consider what they mean beyond the confines of the theater.


Broadway continues to tell Jewish stories, but the tone has shifted in a way that carries unmistakable weight. The warmth that once framed these stories has given way to something sharper, more immediate, and more raw.

The audience is no longer only staring ahead at actors; the Jews attending Broadway turn to the right and left to consider their own lives as living theater.

The UN Has Wiped Raped Jewish Women From History

The United Nations has released yet another report on violence against women. It reads like a catalogue of human depravity – Sudan, Congo, Haiti, Ukraine, Gaza – each documented, each calibrated to shock the conscience.

And it does but not for the reason the authors intend.

Because one of the most documented episodes of mass sexual violence in recent history is missing. Not debated. Not contextualized.

Absent.

On October 7, an estimated 6,000 Gazans invaded Israel and carried out atrocities that included the systematic rape and mutilation of women. This is not a matter of competing narratives. It has been documented by eyewitnesses, first responders, forensic teams, and subsequent investigations.

And yet, in a sweeping global report about violence against women, these victims disappear.

The report finds space for a child raped every half hour in the Democratic Republic of the Congo, for the explosion of abuse in Haiti, for war deaths in Ukraine, and for casualty figures in Gaza. Horrific and worthy of attention.

But the omission is not accidental. It is instructive.

Because what the United Nations is quietly establishing is a hierarchy of victims. Some suffering is elevated. Some is ignored. And some – when it disrupts a preferred political narrative – is erased altogether.

Jewish women fall into that last category.

That is not human rights reporting. It is narrative management.

And that distortion does not stay confined to UN documents. It bleeds outward. When the international system refuses to clearly name and center atrocities committed against Jews, it creates a form of moral cover. The record itself becomes a kind of absolution.

So when figures in the West – like the wife of New York City Mayor Zohran Mamdani, Rama Duwaji – publicly express approval for the October 7 massacre, the reaction is muted, rationalized, or ignored. The most grotesque elements of that day, including the sexual violence, have already been softened, blurred, or omitted by institutions that claim to stand for universal rights.

If the crime is not fully acknowledged, then the celebration of it can be more easily excused.

That is the downstream consequence of selective memory and outrage.

The United Nations is not failing to see. It is choosing not to look and remind the world about violent antisemitism. And in doing so, it transforms a report about protecting women into something far more revealing: a document that tells us which victims matter and which ones are inconvenient.

In that calculus, the rape and murder of Jewish women is not denied. It is deemed unworthy of inclusion. Perhaps even harmful, lest it paint its forever wards, the Stateless Arabs from Palestine (SAPs) in an unfavorable light.

Such silence is not neutral. It is the story.

“Screams Before Silence” movie

When Jews Are Attacked, The New York Times Worries About Jihadists

A man attempted to massacre Jews at a synagogue and preschool in Michigan.

He drove a truck into the building, fired a rifle, and carried explosives and gasoline. Inside were more than a hundred children and staff. Only the quick response of security guards prevented what could have been a mass slaughter of Jewish children.

That should have been the story.

Instead, in its coverage of the attack, The New York Times quickly shifted the emotional center somewhere else. The paper highlighted concern that Muslims or members of the local Arab community had “anxiety,” worried they might face might face “blowback” after the attack.

Pause for a moment and consider the moral inversion.

A man tries to murder Jewish children in a synagogue, and the newspaper of record worries about the social consequences for people who share the attacker’s background, and “communities everywhere.. confronting rising hate.”

Would this framing appear in any other circumstance?

If a white nationalist attempted to burn down a Black church, would the central concern in the article be whether white Americans might face uncomfortable scrutiny?

If a neo-Nazi attacked a mosque, would journalists pivot immediately to the anxiety of Christians worried about backlash?

Of course not.

The victims would be the story. The ideology behind the violence would be examined directly and without hesitation.

But when Jews are attacked – especially by jihadists – the narrative too often drifts away from them.

The Reality the Coverage Avoids

There is another uncomfortable fact that often disappears in these discussions.

In the United States, Jewish institutions have repeatedly been targets of ideological violence.

Synagogues, kosher markets, Jewish schools, and community centers have been attacked by extremists motivated by antisemitism and/or jihadist ideology.

The list is tragically familiar:

  • the Tree of Life synagogue massacre in Pittsburgh
  • the Poway synagogue shooting
  • the Jersey City kosher market attack
  • the Colleyville synagogue hostage crisis

Across Europe the pattern is even clearer: the Toulouse Jewish school massacre, the Hyper Cacher supermarket attack in Paris, and numerous synagogue shootings and plots across the continent have been by jihadists.

Yet the reverse pattern is almost nonexistent.

There is no recurring history in the United States of Jews entering mosques to massacre Muslims, no wave of Jewish attackers targeting Muslim schools or grocery stores.

The asymmetry matters.

Jewish institutions build security fences, hire armed guards, and train for active shooters not because of paranoia, but because experience has taught them they are frequent targets.

The Michigan synagogue had security for exactly this reason.

Without it, the story might have been hundreds of funerals.

A Pattern of Moral Softening

The New York Times’ framing of the Michigan attack fits a broader pattern that has become increasingly visible in recent years.

When jihadist-inspired violence occurs, the language often softens. Motives become vague. Ideology dissolves into references to “grievances,” “tensions,” or the emotional distress of communities associated with the attacker.

Select context is provided for the perpetrator that make him appear a victim, such as mourning the loss of family members in the Middle East, without sharing that those family members were members of jihadi terrorist groups.

This is no longer news but distortion.

Journalism is supposed to clarify reality, not obscure it. When coverage instinctively protects the social sensitivities of the attacker’s community while barely dwelling on the intended victims, it creates a moral fog.

No serious observer believes entire communities are responsible for the crimes of individuals. That principle should remain unquestioned.

But shifting sympathy away from the Jewish victims of an attack to the jihadi attacker is a failure to report the truth clearly for the purpose of a twisted narrative. One that continues to put the most attacked minority-minority in the crosshairs while falsely painting their most frequent attackers as the ones needing sympathy.