I was sitting in the audience at an Andrea Bocelli concert at Madison Square Garden in New York City, the lights dimmed, the hall hushed in anticipation for the encore “Con Te Partiro,” (Time to Say Goodbye), his most iconic song. He teased the audience with “New York, New York” and headed for the exit once more. The crowd cheered and he came back to sing the song they craved.

Beside me sat a close Jewish friend who grew up in Australia. We had come for the music, for the beauty of a voice that carries memory as much as sound. Yet, as the first familiar notes rose, I saw her mind was in another world.

She was thinking of her parents and brother’s family back in Melbourne.

Only days earlier, they had been at a Chabad Chanukah party—children, candles, singing, the ordinary holiness of Jewish joy. Then the news broke of the shooting in Sydney. Phones buzzed. Conversations stopped. Parents gathered children closer. And out. What had begun as celebration turned into a flight of urgency. They left with the unmistakable instinct that something precious had become fragile. Perhaps lost.

As Bocelli sang of leaving—of standing alone and dreaming of the horizon—the words landed differently. “It’s time to say goodbye,” he sings, not with bitterness, but with ache. He sings of departing lands once fully lived in, of moving forward while carrying love along. The song understands that some goodbyes are spoken precisely because the bonds mattered.

Time to say goodbye
Countries I have never
Seen and experienced with you

Australia has been such a land for Jews. Around 115,000 strong, the community was built in large part by Holocaust survivors and their children, who arrived determined to create lives of dignity and contribution. They succeeded. Jewish schools flourished. Synagogues filled. Jewish families felt Australian in the fullest sense—rooted, confident, woven into the national fabric. It was a beloved home.

That is why this moment feels so melancholy.

When antisemitism intrudes into Jewish life—when Chanukah gatherings require calculation, when news of violence travels faster than reassurance—something internal shifts. Families begin to think not only about safety today, but about continuity tomorrow. They listen closely for the voice of government, for the firmness of protection, for the sense that Jewish life is fully defended. When that reassurance feels thin – no, absent – dark history whispers.

Yes, I know there is no light in a room when there is no sun
If you’re not there with me, with me

For two years my friend had been speaking to her parents and brother about leaving Australia as antisemitic incidents surged and the government seemed unwilling to do anything. Now, the threats had crossed to violence. Murder. On a mass scale.

At the concert, Bocelli sang on. “With you I will leave,” he promises. The line felt written for this generation of Jews. Leaving does not mean erasing. It means carrying Australia forward: the beaches, the friendships, the generosity, the years of building a good life. Love will not dissolve at the airport gate.

For children, aliyah after moments like these is not politics. It is the air they breathe. It is the desire to grow where Jewishness fills the public calendar, where holidays are shared rather than guarded, where identity settles into the background instead of standing on alert. Israel becomes the horizon the song gestures toward—not as fantasy, but as alignment.

But they know some parents – many Holocaust survivors – will not be able to make the journey. They will stay behind in a land they thought of as home while their children and grandchildren head to their homeland.

When you’re far away I dream of the horizon and words fail
And I, yes, I know that you are with me, with me

As the music swelled, my friend wiped away tears. They were for her brother’s children, who should have stayed longer at a Chanukah party. They were for her parents’ generation, who believed Australia was the final chapter. They were also for something enduring: the knowledge that the Jewish story includes movement, discernment, and the courage to know when it is time.

I will leave with you
On ships at sea
Which, I know
No, no, they don’t exist anymore

The concert ended. The applause lingered. We walked out quietly, in a world darkly distinct from the thousands of other concert-goers heading to their homes.

Somewhere between Melbourne and Jerusalem, between a beloved home and a homeland, the song kept playing, softly affirming the discussions of long goodbyes that were taking place in Jewish homes throughout Australia.