The Zone Of Jew Hatred Interest

The Zone Of Interest‘ is an unusual Holocaust movie. It shows the daily life of the head of the Auschwitz concentration camp inside his home abutting the vast killing factory. Living a peaceful life with his wife and children, the viewer is struck by the carefree life of the Nazi officer and his family, treating the annihilation of European Jewry as simply a normal 9-to-5 job which supports the family in the way they always desired.

Part of the funding for the movie was from the government of Poland, and its influence can be seen in directing the audience to see that the true evil actors were the German Nazis and not Poles, who were portrayed as trying to help Jews in some way, dropping apples around the camp for Jews who managed to escape. Modern Poles are shown at the end of the film, keeping today’s Holocaust museum at the site tidy for tourists who can view the Jewish possessions which were not seized by the Nazis and their families. The actual rampant Polish Jew hatred is invisible in the film.

Vile Jew-hatred continues today, as do new movies, shows and museums focused on the global scourge. Many contrast past antisemitism to modern Jew-hatred such as the remarkable play ‘Prayer for the French Republic‘ as well as ‘Leopolstadt’. Others are devoted just to the Holocaust like the new museum in Amsterdam. Some try to tie antisemitism into the Arab-Israeli conflict like the opera ‘Death of Klinghoffer.

Tragically, many of the works of art about noxious Jew hatred have become awash in the Arab-Israeli conflict. It would appear that Jews being cast as victims – whether with posters of kidnapped Israeli Jewish civilians, or a Holocaust museum – is too much for Palestinian Arab supporters who want to see the Jewish State crushed.

At the March 2024 opening of the new Holocaust museum in Amsterdam, hundreds of protestors gathered outside to shout “Free, free Palestine” and “Viva, viva Intifada,” screaming for the destruction of the Jewish State and murder of Jews.

Anti-Israel demonstrators at the opening of the National Holocaust Museum in Amsterdam. Pic: AP

In the U.S., The New York Times published a grotesque opinion that compared Israel’s activities in trying to save its hostages and root out the perpetrators of the October 7 massacre to the Nazi family in ‘The Zone of Interest.’ Over-and-again it wrote of the “military siege of Gaza” and “Israel’s assault on Gaza” in a movie review about a Holocaust film.

NY Times lead opinion piece on March 9, 2024

The author, David Klein, could have stated his opinion about the War From Gaza without attaching his comments to a film about the systematic killing of 6 million Jews but he, and many like him, don’t want to. They want to strip Jews of any protection – offensive or defensive. The end of the article makes clear that he is against supplying Israel with weaponry to prosecute the Palestinian terrorist army of Hamas; appending his opinion to a Holocaust film is designed to also remove America’s shield for Israel at the United Nations and with resupplying the Iron Dome missile defense.

To make his refuse stink a bit less, Klein peppered the “AsAJew” line to protect himself from accusations of antisemitism.

Eli Lake penned an article in Commentary Magazine in March 2024 called “A Brief History of the ‘AsAJew’“. Lake sees this as a phenomenon of far-left diaspora Jews, as even progressives in Israel know that Hamas must be destroyed after the heinous barbarous attack which the terrorist group has threatened to repeat.

Lake described a long history of AsAJews during moments of Jewish suffering appealing to the antisemitic attackers to continue to persecute. He wrote that centuries ago, “the AsAJews of their day lobbied their hosts in the Diaspora to banish or convert the Jewish people to Christianity and to confiscate and burn the Talmud.” He details the story of a man in the 15th century named Johannes Pfefferkorn who converted from Judaism and helped fuel a mini crusade against his former co-religionists.

Times have changed some of the nouns in the anti-Semitic Mad Lib, but the story reads familiar.

Lake wrote, “In the Middle Ages, AsAJew converts were pawns the Church used to spread lies about the Talmud. In 2024, the AsAJews are not converts to Christianity. They are instead converts to the false prophecy of left-wing social-justice activism…. The anti-Semites of the Middle Ages needed AsAJews to provide credentials for the lies that justified their pogroms and expulsions. Today, Hamas and its allies in Iran need the AsAJews to persuade the Hague, European governments, and the White House to delegitimize Israel’s right to self-defense.”

I will add some observations on top of Lake’s. For centuries, antisemites including AsAJews, came for the Jews by attacking the religion itself. They concocted stories about Passover matzah in blood libels and the Talmud teaches black magic. Today’s cohort attack Jews and Jewish history, not the religion. They mock the Holocaust. They claim Jews have no history in the land of Israel and are “colonizers” who stole land from Arabs, and that Jews never had holy temples in Jerusalem so should be banned from prayer in a site that is solely holy to Muslims.

By ignoring religion, the modern day antisemites refuse to carry the antisemitic mantle because they are not attacking the religion, just bad actors who happen to be Jewish. The AsAJew allies provide a wide fig leaf for the charade, much as they’ve done for centuries.

Museums and films devoted to the heinous slaughter of Jews in the Holocaust, which would normally demonstrate the profound need for Jews to have self-determination, are being used by the alt-left and Islamic radicals to argue that Jews should be left to the wolves of Hamas. Some are not as shrill, and offer a tepid “both sides” support, blind to their echoing former President Donald Trump’s Charlottesville remarks.

‘The Zone of Interest’ Winning Best International Film on March 10, 2024, with callout to Israeli and Palestinian victims of terror

As antisemitism scales to terrifying levels around the world, the alt-left and Islamic radicals are turning works of art and remembrances of the deliberate mass butchering of Jews on October 7 and during the Holocaust into calls to attack Jews and the one Jewish State. Many progressive Jews are appalled and are abandoning their former partners-in-crime as now-revealed naked antisemites. But the AsAJews have remained steadfast and will share names and addresses of the Zionists, marking Jews as zealots who need to be punished for the good of mankind once again.

Related articles:

The Normalization Deformity: No To Zionism and Peace; Yes To Massacres and Terrorism In a Global Intifada (January 2024)

Now Is The Time For Sabra, An Israeli Superhero, To Join Captain America (October 2022)

Watching Jews (October 2022)

Anti-Semites Don’t Ride In Cattle Cars (September 2022)

The Campus Inquisition (April 2022)

11 Hours in Colleyville, 7 Days in Entebbe (January 2022)

Humble Faith (October 2021)

Peter Beinart is an Apologist for Anti-Semites (December 2020)

Socialists Employ Arabs’ Four Step Battle Plan (July 2020)

For The New York Times, “From the River to the Sea” Is The Chant of Jewish and Christian Zealots (May 2020)

The March of Silent Feet (January 2020)

Iran’s New Favorite Jewish Scholars (December 2017)

Liberals’ Biggest Enemies of 2015 (December 2015)

Eyal Gilad Naftali Klinghoffer. The new Blood Libel. (June 2014)

4 thoughts on “The Zone Of Jew Hatred Interest

  1. Glazer’s great talent is for creating mysterioso atmospheres (he’s best known for “Birth” and “Under the Skin”), and he gets his creep on again in this movie with eerie stillness, precise framing, minimalist dialogue and meticulous shocks. It is the lack of ideas in Glazer’s work that has always been the problem. Within this movie’s first 10 minutes, the words “banality of evil,” Hannah Arendt’s oft-quoted phrase about the Holocaust, will probably pass through your mind; it will keep on passing — and passing and then start circling — because Glazer has nothing to add to our understanding of the Shoah except as fodder for art-film banality.

    Like

  2. Pingback: It’s Jewish: Kosher, Bris, Menorah, Mikvah, Land of Israel | FirstOneThrough

Leave a comment