When Winnie-the-Pooh entered the public domain in 2022, the cultural floodgates opened. A once-beloved children’s character, wrapped in honey jars and innocent nostalgia, was immediately remade into a monster. “Blood and Honey” turned Pooh into a savage killer. Games, parodies, and dark pastiches flooded the market. The comforting bear was no longer safe; he had been transformed into a canvas for other people’s fears, cynicism, and jokes.

It feels eerily familiar.

For two thousand years, Jews have been cast into the public domain. Stripped of the right to define their own story, they became available for anyone’s use. And abuse. Once known as the people of the Book, bearers of commandments, prophets, and a covenant, their identity was seized and rewritten. Medieval Christians branded them Christ-killers. Islamic empires reduced them to dhimmis. The Enlightenment caricatured them as rootless and ruthless bankers. In the modern age, they became “colonizers,” “supremacists,” and the avatars of “genocide.”

The Jews never sold the copyright to their name or history, but the world took it anyway. Just as horror producers found amusement in twisting Pooh into a monster, antisemites—left, right, secular, religious—have scribbled their darkest nightmares onto Jewish bodies. Pogroms, expulsions, inquisitions, and now, boycotts and campus rallies all stem from a warped creativity that insists Jews cannot own their own narrative.

Israel’s rebirth was supposed to end this. After all, if you reclaim your home, revive your language, rebuild your state, surely you also reassert your identity. But even here, the appropriation continues. Israel was smeared as “apartheid,” “genocide,” “ethnic cleansing,” “racist,” and “colonial” decades before Hamas launched its latest genocidal war. “Jewish self-determination” is rewritten as oppression. “Defending children” is recast as war crimes. The oldest continuous nation on earth is treated as a villain in someone else’s morality play.

The difference between Winnie-the-Pooh and the Jews is stark. The fictitious character Pooh was released into the public domain by the natural passage of time, his copyright protection simply expiring. The Jews were thrust into the public domain by malice—by the unwillingness of societies to allow them ownership of their story. The Jewish Bible was rebranded as the Old Testament, out of copyright protection. Blood libels took hold on the bleached pages of Jewish foundational documents.

The current Jewish year is 5786. Traditionally, Jews write the date in Hebrew letters like Roman numerals and drop the 5 as being well understood. The letters for 86 spell “Pooh” in Hebrew, so now is as good a time as any to attempt a change that the 1948 reestablishment of the Jewish State did not provide.

One simple action is for everyone to write a large ‘5’ before the date, making clear to themselves and others that their faith predates all others, and continues still.

Challenge every use of the phrase “Promised Land” as a vicious varietal of cultural appropriation, which strips Jewish indigenous people from their divine heritage.

More dramatic is to reclaim Jewish rights on the Temple Mount. Why should the world care about Jewish faith and feelings if the majority of Jews treat the center of its religious devotion as a vestigial organ instead of the beating heart? Are we a living people or a hollow chamber for others to draw upon?

We must not countenance the free license for others to slander, parody, or profit off the Jewish name. The Jewish people are not public property. They are the authors and owners of their own identity—and it is time for them to act as such.