Probably the greatest living graffiti artist alive today is known as ‘Banksy,’ who manages to stay anonymous.
That’s probably a good thing in light of his being a sponsor of Palestinian terrorism.
Banksy has several paintings on walls in the Palestinian territories which depict Israelis as merciless and Arabs as suffering souls, looking for an escape.
In one painting, Banksy shows a protestor throwing a bouquet of flowers instead of a Molotov cocktail. The implied message is that one needs to be violent to effectively protest, as throwing flowers would not yield any results.

Perhaps on the other side or along this wall, Banksy could draw images of Jewish families burned to death in their cars. Maybe a decapitated infant with an overturned crib. A woman grabbed by her hair and raped, or an elderly couple with bullets in their heads at a bus stop. Any of the gruesome images that Hamas terrorists inflicted on Israelis, with the Palestinian protestor seemingly tossing flowers onto Jewish graves.
The work could be called “Celebrating The Slaughter of Jewish Civilians” and he can sign it “Gaza and West Banksy.” The same art world which loved the Klinghoffer Opera can celebrate the “masterpiece.”
Banksy knows that he beautifies terrorists and softens their images in an appeal for sympathy. But the brutality is not beautiful and sympathy for such savages is sacrilegious.
The music at the Israeli dance festival was stopped by Palestinian bullets, and it is time for Banksy and other artists to stop adorning evil with wreaths.
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